Manual Simply Drawing: Pear Still-Life

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Luciano A. Ashley C. Jacqueline s. Donna H. What you do is, instead of trying to draw a bowl or fruit, draw the negative shapes between objects instead. Does that make sense? So when you draw or paint, flick your eyes back and forth and never let them rest for too long in one place. If you can see a problem early on, your finished drawing will have it too. Once the line drawing is done, start filling in the darkest shadows first. Remember to look for areas of reflected light on the shadow sides of objects. Almost everything reflects light at least a little bit, and leaving those areas lighter will make your drawings much more three-dimensional.

After your dark shadows are done, begin to work on the lighter tones all the way up to white. At this point I was nearing the end of my drawing, so I wanted to make sure that the darkest shadow area was pure black, and the brightest highlight was white.


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When the drawing is almost finished, I usually take a breather, walk around, and then come back to finish it. Fix those, and at the same time use your eraser to pick out the brightest highlights in your drawing. Click the link to learn more or download today! Click below to learn more! Quick announcement - EmptyEasel has created a quicker, easier way for artists to have their own art website.


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When I started painting in watercolor, I painted flowers. I quickly learned that if I was going to paint in a highly realistic style the flowers would not live long enough, so I started taking photographs and painting from them. It might be months or even years later until I had the opportunity to paint these objects.

I am still working from photos I took 5 years ago and more. I often move things when drawing the still life for the final painting to improve the placement of objects in the painting.

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I spend a lot of time and am very careful about setting up and photographing my reference photos. Many times, the photographs become works of art in and of themselves. I have the right lighting, a collection of cloth and lace for backgrounds as well as an ever-expanding collection of props to use in my creating the still lifes.

I put all the images in my computer and then go through them, full screen, and eliminate the obviously poor shots. Then I will select out those that have the best possibility for becoming a painting. I have learned that not all good photos make great paintings.

I then narrow the best images down to two or there and think about them for a while, sometimes months. I will then go back to these images and make prints of them and think some more.

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When I finally make my choice, I will move the image onto a portable memory device and project them onto my watercolor paper using a very high-resolution projector. I will then trace as much of the image onto the paper as is possible. Here is where I often find some weak adjacencies. From there I will move my paper to my painting board and add the last of the details to the drawing. I usually make large prints of the image, 13 x 17 inches, and I will paint from those prints.

The drawing process for a full sheet painting can take four to six hours. Save my name, email, and website in this browser for the next time I comment. American Watercolor. Inspired By.

~ Oil Portraits, Landscapes, Seascapes, Painting Classes, Raleigh, Cary, Wake Forest, NC

The Opposite of Fast and Loose I have often said that watching me paint must be about as exciting as watching grass grow. Assembling a Still Life Creating an interesting story about the objects is the goal of a good still life composition. Working From Photos I only work from photographs.